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About 2, young people had turned up after the studio placed an advert in a local paper. Rocket, one of the central characters, was born in the favela and has many things going against him, but he's able to realise his ambitions. I was just 18 when I got the phone call from director Fernando Meirelles. People still talk about it today.

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Everybody improvised, including the professionals. They brought so much spontaneity to the film. Instead he yanks the viewer back into the favela, where he too now belongs. Order by newest oldest recommendations. Then they selected the leads. In their book about the Afro-reggae movement in the favelas of Rio, Culture is Our Weapon, Patrick Neate and Damian Platt refer to the song by US rapper Nas in which he says he thinks of crime when he is in "a New York state of mind" as a way to explain what they call "a favela state of mind". People still talk about it today.

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He told me he was looking for someone who wasn't famous, since he didn't want the slum kids who would be acting in his film, a crime drama set in one of Rio de Janeiro's favelas , to feel intimidated. Life-and-death decisions are taken in a breath. bodies fall too quickly to count. there's no time to stop and ponder what's unfolding on the screen. Meirelles, who filmed amateur actors from the Rio slums, has been accused of glamourising violence, showing excessive detachment towards his protagonists and exaggerating the camaraderie between the gangsters. Instead he yanks the viewer back into the favela, where he too now belongs. Threads collapsed expanded unthreaded.

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Description: By the time the community has sunk into all-out war, the favela is portrayed with the detachment of a documentary as Rocket, beginning to distance himself, shoots the killers with his camera. Early on, Rocket explains that the City of God does not resemble the picture postcard version of Rio de Janeiro. Rocket Alexandre Rodrigues is an year-old at the margins of gang life. This was only Meirelles's second feature film, so City of God was a turning point for him, too. What is most horrifying of all is how those caught up in the violence — victims and perpetrators alike — keep getting younger and younger. Everybody improvised, including the professionals. His older brother's crew are involved in petty crime, holding up trucks carrying propane gas and selling the loot to local residents.
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